Fine Stories and Other Wordy Tidbits
Unwatchable. It's a hefty word, or at least it's supposed to be. In today's digital word, we're more likely to see it tossed around as shorthand for "something I personally didn't like." But what does it really mean? When is a film really, truly unwatchable? The problem is that "unwatchable" can mean a few different … Continue reading Horror Is Universal: “The Mummy’s Tomb” (1942)
NOTE: This article will contain mentions of sexual assault and a discussion of anti-Japanese racism, both of which may be upsetting to some readers. TERRIBLE JOKE INCOMING IN 3, 2, 1... What's the best way to get rid of Nazis? You have to use a Not-See! HA HA HA! And now that I've gotten that … Continue reading Horror Is Universal: “Invisible Agent” (1942)
NOTE: Today's film and some of the clips in this article include the use of pejorative language toward Romani people, which may be offensive to some readers. While my analysis does make note of the film's terminology, I have attempted to use appropriate terminology whenever possible. Even a man who is pure in heart And … Continue reading Horror Is Universal: “The Wolf Man” (1941)
Because why should the men get to have all the fun of being invisible? One thing I really like about the Invisible Man films is how they play with genre, something that the other Universal Horror series haven't really done up to this point. Each one mixes and matches plot and tone elements to create … Continue reading Horror Is Universal: “The Invisible Woman” (1940)
Okay, how do I ease you guys into this...? I haven't done an exact tally on how many views each article in this series has, but I have noticed that people seem to keep coming back to my article on Werewolf of London. I couldn't tell you why. Perhaps it's because it's a more obscure … Continue reading Horror Is Universal: “The Mummy’s Hand” (1940)
First of all, I'd like to begin this new article by giving a big shout-out to my new team of staff writers. They worked very hard to help me bring you this new piece, and their diligence is much appreciated. So give 'em a big hand! Elsa, Boris, Orlok (our transfer from Germany) and Griffin … Continue reading Horror Is Universal: “The Invisible Man Returns” (1940)
